

Watching Convoy, it feels like a lifelong Peckinpah admirer shot a fairly meaningless commercial trucker flick as a tribute to his idol, and that Peckinpah wasn’t even involved at all – and that’s almost literally what actually happened.

Hell, Peckinpah was even fired midway through the editing process, and the film was recut and rescored without his approval. Running over-schedule and over-budget, with cocaine, alcohol and subsequent health problems stifling his art, and with long-time collaborator James Coburn drafted in to shoot half of the footage himself, the film ended up losing to the massively successful, similarly-themed 1977 flick, Smokey and the Bandit, which hit cinemas before Convoy was even completed (although not before it was due to be completed).

It doesn’t feel like a Peckinpah movie, it doesn’t look like a Peckinpah movie and, whatever strand of sense he wanted to make of the pathetic script simply does not come across in the finished product.

We’ll be giving away some copies too – so stay tuned for details.Sam Peckinpah’s penultimate movie, 1978’s Convoy, actually ended up being his biggest financial success.ĭespite this, the cast, crew – and Peckinpah himself – along with critics and audiences alike, failed to see anything particularly noteworthy about the lightweight trucker movie before, during or after the troubled production. On sale in all good UK retailers or order online by CLICKING HERE. “What would I have done differently?” he ponders… “I would never have joined a band!”Ī treasure trove of wisdom, outrage and remarkable images, from the makers of Uncut – that’s The Ultimate Music Guide: The Who. Meanwhile, Uncut’s current roster of fine writers have provided authoritative new reviews of every Who album and Pete Townshend himself pens a candid new introduction to the whole extravaganza. There are riotous nights out with Keith Moon, provocative soul–searching sessions from Pete Townshend, blow–by–blow accounts of all those concept albums and rock operas, and even an incendiary piece in which Roger Daltrey appears to break up the band. They’ve raided the NME and Melody Maker archives to reprint, in full, a wealth of extraordinary interviews, unseen for years. In this one-off special issue – in over 148 pages, Uncut salute the majesty and audacity of The Who. In A Special One-off Issue, ‘UNCUT’ Salute The Who
